tmagazine: Relief print from a 31-year-old honey locust via “Woodcut” (Princeton Architectural Press, $30). As Stephen Heyman writes for The Moment, the book is a collection of Bryan Nash Gill’s relief prints of tree-trunk cross sections, which the artist harvests from felled trees, cedar telephone poles and discarded fence posts in his native Connecticut.  We especially love the white “T,” which Gill says began as a bark pocket. 

tmagazine:

Relief print from a 31-year-old honey locust via “Woodcut” (Princeton Architectural Press, $30). As Stephen Heyman writes for The Moment, the book is a collection of Bryan Nash Gill’s relief prints of tree-trunk cross sections, which the artist harvests from felled trees, cedar telephone poles and discarded fence posts in his native Connecticut. 

We especially love the white “T,” which Gill says began as a bark pocket. 

229 ♥ / 4 May, 2012
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    “Woodcut” - Stephen Heyman writes for The NYTimes
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